Surface Finishes The Finishing Touch

A lovely finish on either brass or aluminium, giving the effect of a unidirectional brushed texture. This is often paired with a black internal or polished face on tray frames.

Gives modern rustic aesthetic with deep texture and ageing effects. The process involves carefully burning the wood. Ash or obeche wood has the best grain effect for this technique.

This unique finish is created though a careful chemical reaction on wood and metal. The result is a natural rust which is then sealed with clear lacquer to protect it.

A traditional method of preparing a frame surface for paint, gilding or custom finishes. Can be applied to wood, metal and even paper mounts. The craftsmanship and secret recipes involved create a stunning finish that speaks for itself.

After laying a gesso base, gilding can be applied using leafs of many metals, including gold, silver, bronze, copper & aluminium. This gives you a luxury finish with a huge range of custom styles including patination, scuffing, rub through and burnishing.

Your profile can be expertly painted in any colour required to match your artwork or environment. This cost-effective finish can be further enhanced with techniques such as stippling, veiling, patination and distressing.

A chemical finish added to the metal to cause a reaction which creates a dark, rough finish. Increasingly popular for contemporary and industrial-style frames.

A reflective, bright finish achieved through a extended process of fine sanding to ensure that you are left with a mirror feel.

Spraying is our most popular finish, with benefits including invisible frame corner joins, a smooth high quality effect and a choice of colours and glosses. It gives contemporary museum quality to any artwork.

A versatile option that can be used to enhance grain, add colouring and even out natural surfaces. This is best used on natural woods.

In French it means "glass gilded". The glass has gold/silver leaf applied to the reverse to create a variety of pleasing effects such as an aged patina or smoky clouds. The result is presence and character for your mirror.

We use wax when sealing raw wood, enhancing the grain and natural colours.